Monthly Archives: February 2010

Review: The House You Pass on the Way

The House You Pass on the Way by Jacqueline Woodson
Penguin Books (SPEAK imprint)
Published 1997
114 pages
Finished Reading February 11, 2010

I first heard of Jacqueline Woodson when I read her short story in How Beautiful the Ordinary, and while her addition was not my favorite, I was intrigued to read more of her work. It seemed obvious to start with The House You Pass On the Way, the winner of the Coretta Scott King award and perhaps her best known work.

Woodson manages to explore several Big Topics here: coming of age, the importance of family, and the search for identity. It’s a quietly complex, beautiful little story, without being over-dramatic, preachy, or heavy handed–no small feat when you consider all of the questions/topics raised. She manages to prompt critical thinking and disucssion in only 128 pages, in a way that many authors aren’t able to do with much longer stories.

I’ve been stuck on this review for a couple weeks now, because all I really want to write about is this quote:

“Nobody ever told me I had to hide it,” Staggerlee said. “I think I just told myself. I read this book once where this woman fell in love with another woman and she couldn’t deal with it, so she jumped off this cliff. It scared me[...]” — p. 88

Throughout the novel, Staggerlee is grappling with the feelings she has for girls. She’s nervous and unsure, and despite having a loving, close family, doesn’t discuss any of her fears with them. Kids and teens like Staggerlee are the reason we need more positive representations of GLBT people in novels. While a novel can be good literature and have, for instance, a lesbian character who commits suicide, there also needs to be books with POSITIVE endings, where identities are reaffirmed, where gay and lesbian relationships work out in the end, where characters find a queer community, where families love and accept their GLBT children. Thankfully, there are books like this, but we need to emphasize the importance of reading positively. Many kids don’t know anyone who is gay or lesbian or bisexual and/or trans, and it’s important that their are POSITIVE representations of these people. I’m not saying there shouldn’t be sad endings or heartbreaking stories; I’m saying we need to place value on affirmation.

In summary… Read this book. It will not take you very long and it will make you (and me!) very happy.

Grade: A

For GLBT mini-challenge

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Filed under 2010 Challenges, 2010 Reviews, A, GLBTQ, Print, Young Adult Fiction

Review: Black Girl/White Girl (audio)

Black Girl/White Girl by Joyce Carol Oates
BBC Audiobooks America, 2006
Nine hours
Finished Reading February 4, 2010

I don’t like to do this, but here’s the Indie Bound summary of this novel:

In 1975 Genna Hewett-Meade’s college roommate died a mysterious, violent death partway through their freshman year. Minette Swift had been assertive, fiercely individualistic, and one of the few black girls at their exclusive, “enlightened” college—and Genna, daughter of a prominent civil defense lawyer, felt duty-bound to protect her at all costs. But fifteen years later, while reconstructing Minette’s tragic death, Genna is forced to painfully confront her own past life and identity…and her deepest beliefs about social obligation in a morally gray world.

The summary on Amazon is similar. I’m consistently amazed when the “official” summary of a book is so different from the actual story. In this case, it’s an instance of what’s implied v. what is real; a lie of omission. I’ve been thinking of how to synopsize Black Girl/White Girl and came up with only one word: obsession. Genna, as the “daughter of a prominent civil defense lawyer,” has been raised in a white Liberal bubble, which, combined with unchecked privilege, leads to a fetishistic obsession with black culture and African-American people. When she goes off to college, she goes out of her way to live in the Scholarship dorm (with the assumption there will be more people of color) and ask for a non-white roommate. She gets Minette Swift, the daughter of a prominent Washington D.C. preacher, as a roommate, and believes that they are going to be best friends, despite a) not having anything in common with Minette, b) Minette’s outright dismissal of any attempts on Genna’s part to become friends, and c) that Genna’s sole goal is to have “a black friend,” as opposed to, say, being friends with Minette for who she is.

It is clear to the reader that Minette has no desire whatsoever to become friends with Genna, but Genna thinks it’s only because of her whiteness, and therefore no fault of her own–even though Minette shows no interest in becoming friends with the other women in their dorm, no matter their race. This refusal of friendship leads the other women to give up on friendly overtures to Minette, but Genna doesn’t take it that way. She defends Minette at all costs. Once Minette begins to be the victim of racist attacks, Genna thinks it’s her duty to protect her.

This story line is thoroughly thought provoking, but the subplot between Genna and her parents seems like a last minute add-on. I think this book would be great for a book club or discussion because of all the questions it raises. Minette is a great if ultimately, unsympathetic character, because she is not at all what one would expect–she is not the saint that Genna, and perhaps the reader, expects her to be. She is multi-dimensional without falling back on stereotypes. I think it raises a lot of important questions about white privilege, white Liberalism (yes, with a capital L), and the enduring underlying racism in progressive circles.

In summary… Be prepared to be creeped out at the end. I suggest reading this if you have someone to discuss it with afterward because it will make the reading experience much fuller.

Grade: a solid B, mostly because of the weak subplot.

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Quick Quote: bell hooks

Again and again, I have to insist that feminist solidarity rooted in a commitment to progressive politics must include a space for rigorous critique, for dissent, or we are doomed to reproduce in progressive communities the very forms of domination we seek to oppose.

–bell hooks, “Censorship From left and Right” from
Outlaw Culture:Resisting Representations. (p. 67)

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Masterpiece Theatre Presents Emma

My long standing refusal to have anything to do with one Jane Austen subsided a bit last year when I agreed to watch the Ang Lee-directed, Emma Thompson-adapted screenplay of Sense and Sensibility (I mean, Alan Rickman was in it!). Of course, after I watched the movie I had to read the book. I’m sure you can understand that. I was a bit partial to Elinor because of my partiality to Emma Thompson, and I enjoyed the book thoroughly because of it. Or so I thought. Then, I figured I might as well read Pride & Prejudice, because, well, why not?

Oops.

Over the past three weeks I have been completely sucked in to the new Masterpiece Theatre mini-series “Emma.” After the first two hour installment, I picked up the book–well, okay, I downloaded the Google books version on my nook. Whatever. I’m sure Austen would understand. Or maybe she would just be completely confused by the technology, but that’s not my point! My point is that I loved it, and now that the mini-series is over, I can say I very much enjoyed that, too. Just not in the same way.

Spoiler-y, of course. Proceed at your own risk.

The (Very) Good

  • Romola Garai as Emma. Perfect.
  • The estates and the town of Highbury were wonderfully cozy and lovely.
  • Mr. Knightley and Emma’s first dance together was charming, but also authentically country. They’re not in London, after all. 
  • The perfect chemistry between Mrs. Weston and Emma. Mrs. Weston, while maybe not as reserved as I might have thought, oozed motherlyness. (I refuse to admit that is not a word.)
  • They included everything! Kind of. Okay, not exactly, but much more than a major production would have. Hurrah for PBS!

Nit Picky McPickertons

  • Mrs. Elton did NOT get enough lines. She was my favorite (in a bad way) character. I missed all her ridiculousness during the strawberry picking at Donwell. She was annoying, but not as wonderfully annoying as in the book.
  • When Emma goes to Mrs. Weston in a panic to discover the news of Frank Churchill and Jane Fairfax, she REFERS TO MR. KNIGHTLEY AS KNIGHTLEY. As we know from that long passage at the end of the book, she refuses to call him that even after they are married!
  • I kind of wanted to see or hear Emma totally denounce Harriet. Oh well.

If you missed the original airing, you can watch the whole thing at PBS’s website. I linked through the picture.

I blame book bloggers for making me reconsider my position on Jane Austen. Boo hoo to you all. (And thanks!)

P.S. I may or may not be getting a head start on Northanger Abbey, which is airing this coming Sunday. Ahem.

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Review: Kindred

Kindred by Octavia Butler
Beacon Press 25th Anniversary Edition
Originally Published 1979 by Doubleday
264 pages
Finished Reading January 29, 2010

Dana is celebrating her twenty-sixth birthday with her husband in their Los Angeles apartment. The year is 1976–until it’s not. The first time Dana materializes somewhere else, she saves a young boy from drowning only to have a gun pointed at her by his father. On the next occasion, she meets the same boy, slightly older, and saves him from burning down his house, only to discover that she is in Maryland–in 1815. The boy, whose name is Rufus, is her great-great grandfather, and she is frequently called back in time in order to save his life. The problem, however, is that Maryland in the 1800s was a slave state, and Dana, as a black woman, is considered the property of Rufus, the white man.

This book made me want to vomit. Usually this is grounds for me to not end up liking a book, but somehow, Kindred made me want to vomit in a “holy crap this is tramautizing and amazing and disgusting and wonderfuly written” kind of way. While there are a few brutal scenes, I wouldn’t say it’s overly graphic; the psychological aspect of someone living a nightmare is enough. This is the first book I have read by Butler, and I was struck by how modern it felt despite having been written over thirty years ago. The characters are fully developed, the writing is flawless, and Big Questions are raised without feeling preachy.

In summary… a powerful, striking feminist classic. I remain in awe of Octavia Butler. Pick this one up.

Grade: A

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Review: How Beautiful the Ordinary: Twelve Stories of Identity

Edited by Michael Cart
Published by HarperTeen, 2009
369 pages
How Beautiful the Ordinary is a collection of short stories that tackles issues faced by GLBT youth, in the tradition of the now-classic 1995 anthology Am I Blue? Coming Out From the Silence. In fact, several of the same authors contribute stories here, including Francesca Lia Block, Gregory Maguire, and Jacqueline Woodson.

The Good 

  • I am particularly pleased that the subtitle includes “identity,” which seems so much more flexible and open-ended than the traditional “GLBT.”
  • David Levithan’s story “A Word From the Nearly Distant Past,” a message from the older generation to the new, is beautiful and, I think, makes How Beautiful the Ordinary necessary for adult collections as well. The title of the collection is derived from it, as is the quote on the back of the book:
Freedom isn’t just about voting and marrying and kissing on the street, although all of these things are important. Freedom is also about what you will allow yourself to do.

  •  ”My Virtual World” by Francesca Lia Block, written as a series of e-mails between a girl and a young trans man. So many real issues are raised in this short story, but it doesn’t come across as heavy handed. I found it touching and pleasantly surprising.
  • “Dear Lang” by Emma Donoghue, a letter from a non-birth mom to her lost daughter from a previous relationship.

The So-So

  • “Trev” by Jacqueline Woodson: Some people will love this story. It’s an important topic and a well written, good story, but it’s also the ubiquitous trans narrative.

The…Not So Good

  • “Dyke March” by Ariel Schrag: Written in graphic form. I found a couple of the panels offensive. 

In summary… a good, modern collection of stories. Check this one out, if only for the David Levithan story.

Grade (Overall): B

For GLBT Challenge & Four Month Challenge

Also reviewed more substantially at QueerYA.

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Filed under 2010 Challenges, 2010 Reviews, B, GLBTQ, Print, Young Adult Fiction